The Vast of Night (2019)


director: Andrew Patterson
release-year: 2019
genres: scifi, suspense
countries: USA
languages: English

In a late-50's/early-60s small desert town, all of the kids are enamored with their new-fangled radios, cameras, tape recorders, and telephones.

Not a word on the price of recordable media.

Most of the town is caught up in the local high school basketball game, and thus otherwise occupied.

They could have been out tipping cows.

Only the switchboard operator, the radio DJ, and a handful of other locals are still hanging around town awaiting shenanigans.

Not much switching to do in a small town.

They have pleasantly detailed conversations with each other during long, smooth shots that move seemlessly between the dimly lit indoors and the dark, misty outside.

Sometimes dolly shots suddenly seem like drone shots.

Portions of the story are told through old-fashioned TVs, in a Twilight Zone throwback.

We control the horizontal.  We control the vertical.

The telephone switchboard starts behaving ever-so-slightly out-of-the-normal. The operator keeps her cool, but calls around town a bit to try to figure out what's going on. Things get ever-so-slightly out-of-the-normalier. She continues to keep her cool.

Kids used to know how to work.

She tells the radio DJ that she's hearing some crazy space sounds, and he plays them on the air. Mysterious folk start calling in to give creepy 15-minute-long War of the Worlds style monologues about space aliens.

People are somewhat receptive to alien stories.

They run around town looking for some space aliens.

They walk among us.

They find some space aliens.

Surprisingly literally.